In January 2013, Amika Gupta travelled to Thailand for two months with Kleo.
While in Thailand, I worked with the students living at Jen’s House. I wanted to bring stories of the Karen back to Canada, while involving the students. Through this thought came the idea to do a modified “photovoice” project. Photovoice is a method traditionally used in community development projects whereby participants are asked to represent their point of view by taking photographs, discussing them together and then creating stories to go with their photos. Photovoice aims to represent the perspectives of those who lead lives that are different from those traditionally in control of the means for imaging the world.
Jen’s House students live away from their villages. While they are still connected to their culture, life is removed from all the traditional Karen ways. This posed a problem for implementing the project. However, it came to light that many of the students were visiting their home villages for a wrist-tying ceremony, which was the perfect opportunity for them to capture their culture through photographs.
The wrist tying ceremony is generally practiced among those Karen who follow aspects of animism — the view that natural physical entities possess a spiritual essence. The ceremony, also known as a unity ceremony, brings distant family members and relatives living in different places back to the village for the restoration of spirit and strengthening of the soul. A Karen person (generally an elder) speaks a prayer or blessing for another while tying a string around his or her wrist. This stems from the belief that the spirit or soul may depart the body, putting a person in danger of illness or death. The ceremony summons a wandering soul, and a string tied around the wrist ensures the spirit remains inside the body.
These 22 photographs were taken on the day of the ceremony in the villages of Maw Wah Kee (consisting of about 45 houses), located two hours south-west of Chiang Mai, and Ban Mai (about 30 houses), located two and a half hours southwest of Chiang Mai. I gave the students three cameras to share and suggested what I wanted them to photograph by explaining the word “culture”. Previously I had taught them the concept of photography angles. The students then composed short captions to illustrate each image.
The resulting photographs capture Karen culture, and through the close relationship of the photographers with the subjects, they capture an intimacy and beauty that could not have otherwise been revealed.
—Amika Gupta
The women of the co-op
Suneesa
Suneesa was born in 1993 in Nong Tao and lives with her mother, father, and 3 siblings. Suneesa completed grade 6 in Nong Tao and with support from Jen’s House graduated grade 9 in Mae Win and completed grade 12 in San Pa Tong. She then studied sewing and design at Marina School for 5 months.
Suneesa made the decision to return to her village to help her community by starting the women’s weaving co-op, and now contributes to the design and sewing of woven products.[/person]
Duong Jai
Duong Jai was born in Nong Tao in 1971 and lives with her husband and three children. She graduated from Grade 6 at Nong Tao school and Grade 9 in Mae Win, after which she learned sewing and design at Jam Wah Lai school in Bangkok for three years.
Duong Jai was taught to weave from her mother when she was a young girl. Duong Jai hopes that in the future, the children of Nong Tao will complete University and get good jobs.
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